E18 Standard Press

Conrad’s E18 Press has a planetary reduction drive to provide smooth and easy operation under the heaviest pressure. The torque from the 10" (254 mm) throw aluminum hand crank is multiplied in the totally enclosed geared planetary reducer by a 6:1 ratio. Other features of the E18 Press include … Large counterbalanced upper roll, 41/2" diameter 183/4" W × 36" L × 1/2" thick Benelex high density lignin-resin laminate bed plate Shipping weight, 297 lbs

ArtMolds 407 Latex Casting Rubber

This premium casting rubber may be used to make high quality masks, body parts, and as a skin over polyurethane foams. A product that is noted for its very good consistency, it may be thinned with water if needed. This formulation builds up a good thickness. The user can submerse the model to be cast three to four times in RD-407 to create a quick mold. Finished molds may be trimmed, sanded, and painted. Set time: 12 hours.

ArtMolds CastRite Casting Stone

This bright white gypsum casting stone is similar to plaster of Paris in both mixing proportions and in use, and makes an ideal cast making material. It may also be used as a shell mold medium. Due to its unique properties, CastRite is even easier to work with than most casting plaster. When combined and properly mixed with water, it is far stronger than plaster of Paris and provides greater detail. Its porosity assures excellent slip castings and it is the mold material of choice when using ArtMolds 407 Latex. Mix CastRite with colored pigments or water-based paints for added artistic effects. When making large casts, layer with ½" applications of CastRite by reinforcing the second and third layers with hemp fibers, fiberglass, or wire mesh. When dry, molds and casts accept paints and other typical finishes well and may be sanded by hand or with power tools. Set time: 2 hours.

Eco-House 952 Damar Varnish

Damar Varnish can be used as a final picture varnish over well-dried oil paintings, after 6-12 months, or as an ingredient to your own medium formula. It makes a semi-gloss protective coat.

Complete Set of 15 Colors

Includes Brilliant Yellow (Hansa Yellow), Golden Yellow Ochre (Brilliant Clear), Yellow Ochre Mexico (Brownish Cool), Raw Sienna (Deep Orange Shade), Napthol Red (Brilliant Primary Red), English Red (Extra Deep), Burnt Sienna (Warm Shade Light), Turkish Red (Mars Extra Deep), Roman Brown (Enhanced Earth), Burnt Umber (Brownish Warm), Raw Umber (Greenish Dark), Chrome Oxide Green, Phthalo Blue (Primary Blue), Ivory Black, and Titanium White.

Grand Prix Set of 8 Brushes

Ideal for use with oils and acrylics, this set is housed in a deluxe, lightweight Tuscany fabric case. It includes: Grand Prix Round, sizes 6, 8, and 10 Grand Prix Bright, sizes 4 and 6 Grand Prix Extra Long Filbert, sizes 2, 4, and 6

Native Italian Earths Set

Clean, vibrant and more translucent than other earths, these rare Italian colors are prized among painters as among the finest available in the world. Primarily used in restoration, they are the very same colors made by Italian Renaissance and used by conservators. Set of 10 colors in 40 ml tubes includes Terra Verte, Italian Yellow Ochre, Lemon Ochre, Orange Ochre, Green Ochre, Pompeii Red, Rosso Veneto, Terra Rosa, Pozzuoli Earth, and Roman Earth.

Gamblin Traditional Gesso

Traditionally, gesso (Italian for "gypsum") was applied only to panels. Gamblin’s Traditional Gesso is a classic absorbent ground for oil panels which, when mixed with water and rabbit skin glue, forms a luminous painting surface.

R&F Encaustic Paint Studio Startup Set

R&F Encaustic and Dick Blick have created the ultimate set for painting with hot wax. Whet your appetite with Joanne Mattera’s book, The Art of Encaustic Painting . Then go to your studio and heat things up. The set includes the following materials: Encaustic Hot Palette with Palette Thermometer heat gun two palette cups eight Encaustic colors Encaustic Medium paraffin wax for cleaning up hand painted color chart of all 80 colors R&F offers The Art of Encaustic Painting by Joanne Mattera

Clearprint 1000H Drafting Vellum

Clearprint 1000H Drafting Vellum is said to be America’s finest technical art paper. Its surface is transparent, smooth, and uniform. Pen and pencil lines come out sharp and clean with no feathery edges and no ghosting. Erase, redraw, and then erase again. This remarkable paper retains its strength, stability, transparency, and printing qualities under exposure to heat, light, and atmosphere. It will not become yellow, brittle, or opaque with age. Clearprint 1000H is available in a variety of sizes, and in rolls. It is made of 100% cotton fiber, made transparent without the use of solvents. Its 16 lb (60 gsm) weight is equivalent to a standard bond paper.