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	<title>studiochroma store</title>
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		<title>Conrad E18 Etching Press</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/conrad-e18-etching-press/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/conrad-e18-etching-press/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:56:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Printmaking]]></category>
		<category><![CDATA[etching press]]></category>
		<category><![CDATA[intaglio press]]></category>
		<category><![CDATA[printmaking press]]></category>

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E18 Standard Press
Conrad&#8217;s E18 Press has a planetary reduction drive to provide smooth and easy operation under the heaviest pressure. The torque from the 10&#34; (254 mm) throw aluminum hand crank is multiplied in the totally enclosed geared planetary reducer by a 6:1 ratio. Other features of the E18 Press include &#8230; Large counterbalanced upper [...]]]></description>
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<p><b><font size="4">E18 Standard Press</font></b></p>
<p><font size="2">Conrad&#8217;s E18 Press has a planetary reduction drive to provide smooth and easy operation under the heaviest pressure. The torque from the 10&quot; (254 mm) throw aluminum hand crank is multiplied in the totally enclosed geared planetary reducer by a 6:1 ratio. Other features of the E18 Press include &#8230; Large counterbalanced upper roll, 41/2&quot; diameter 183/4&quot; W &times; 36&quot; L &times; 1/2&quot; thick Benelex high density lignin-resin laminate bed plate Shipping weight, 297 lbs</font></p>
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		<title>ArtMolds 407 Latex Casting Rubber</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/artmolds-407-latex-casting-rubber/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/artmolds-407-latex-casting-rubber/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:52:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[casting supplies]]></category>
		<category><![CDATA[mould making supplies]]></category>

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		<description><![CDATA[




ArtMolds 407 Latex Casting Rubber
This premium casting rubber may be used to make high quality masks, body parts, and as a skin over polyurethane foams. A product that is noted for its very good consistency, it may be thinned with water if needed. This formulation builds up a good thickness. The user can submerse the [...]]]></description>
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<p><b><font size="4">ArtMolds 407 Latex Casting Rubber</font></b></p>
<p><font size="2">This premium casting rubber may be used to make high quality masks, body parts, and as a skin over polyurethane foams. A product that is noted for its very good consistency, it may be thinned with water if needed. This formulation builds up a good thickness. The user can submerse the model to be cast three to four times in RD-407 to create a quick mold. Finished molds may be trimmed, sanded, and painted. Set time: 12 hours.</font></p>
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		<title>ArtMolds CastRite Casting Stone</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/artmolds-castrite-casting-stone/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/artmolds-castrite-casting-stone/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:48:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[casting materials]]></category>
		<category><![CDATA[plaster casting]]></category>

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		<description><![CDATA[




ArtMolds CastRite Casting Stone
This bright white gypsum casting stone is similar to plaster of Paris in both mixing proportions and in use, and makes an ideal cast making material. It may also be used as a shell mold medium. Due to its unique properties, CastRite is even easier to work with than most casting plaster. [...]]]></description>
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<p><b><font size="4">ArtMolds CastRite Casting Stone</font></b></p>
<p><font size="2">This bright white gypsum casting stone is similar to plaster of Paris in both mixing proportions and in use, and makes an ideal cast making material. It may also be used as a shell mold medium. Due to its unique properties, CastRite is even easier to work with than most casting plaster. When combined and properly mixed with water, it is far stronger than plaster of Paris and provides greater detail. Its porosity assures excellent slip castings and it is the mold material of choice when using ArtMolds 407 Latex. Mix CastRite with colored pigments or water-based paints for added artistic effects. When making large casts, layer with &frac12;&quot; applications of CastRite by reinforcing the second and third layers with hemp fibers, fiberglass, or wire mesh. When dry, molds and casts accept paints and other typical finishes well and may be sanded by hand or with power tools. Set time: 2 hours.</font></p>
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		<title>Martin Universal Design Cobalt Mobile Taboret</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/martin-universal-design-cobalt-mobile-taboret/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/martin-universal-design-cobalt-mobile-taboret/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:42:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Studio Furniture]]></category>
		<category><![CDATA[taboret]]></category>

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		<description><![CDATA[




Martin Universal Design Cobalt Mobile Taboret
This sleek, black taboret is a studio requirement! Whether you are a hobbyist or artist, you will appreciate the organizational opportunities it offers. The taboret features 4 drawers, each measuring 12&#34;W &#215; 12&#34;L &#215; 2&#188;&#34;D (30 cm &#215; 30 cm &#215; 6 cm). The drawers allow storage and organization of [...]]]></description>
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<p><b><font size="4">Martin Universal Design Cobalt Mobile Taboret</font></b></p>
<p><font size="2">This sleek, black taboret is a studio requirement! Whether you are a hobbyist or artist, you will appreciate the organizational opportunities it offers. The taboret features 4 drawers, each measuring 12&quot;W &times; 12&quot;L &times; 2&frac14;&quot;D (30 cm &times; 30 cm &times; 6 cm). The drawers allow storage and organization of a variety of art supplies, from paints and paper to everything in between. A black epoxy-painted frame is topped by a durable laminated top that doubles as a work space or extra storage space. The wide, stable base with four wheels (two locking) lets you roll the taboret where you need it, or move it out of the way. Overall, the unit measures 15&frac12;&quot;W &times; 15&frac12;&quot;D &times; 27&frac12;&quot;H (39 cm &times; 39 cm &times; 70 cm) when assembled. Assembly is required.</font></p>
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		<item>
		<title>Century Archival Storage Boxes</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/century-archival-storage-boxes/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/century-archival-storage-boxes/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:38:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Storage]]></category>
		<category><![CDATA[archival storage boxes]]></category>

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		<description><![CDATA[




Century Archival Art Storage Box
These portfolio boxes, in sophisticated black with a white lining, are beautiful enough for presentation use but also eminently practical for storage. Century has been the leader in fine art presentation and storage formats since the 1960s.Favored by artists and photographers worldwide, Century&#8217;s acid-free, lignin-free, and buffered storage boxes come in [...]]]></description>
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<p><b><font size="4">Century Archival Art Storage Box</font></b></p>
<p><font size="2">These portfolio boxes, in sophisticated black with a white lining, are beautiful enough for presentation use but also eminently practical for storage. Century has been the leader in fine art presentation and storage formats since the 1960s.Favored by artists and photographers worldwide, Century&#8217;s acid-free, lignin-free, and buffered storage boxes come in awide range of popular styles and sizes.</font></p>
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		<item>
		<title>Eco House 952 Damar Varnish</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/eco-house-952-damar-varnish/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/eco-house-952-damar-varnish/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:30:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Oil paints]]></category>
		<category><![CDATA[damar varnish]]></category>
		<category><![CDATA[oil painting medium]]></category>

		<guid isPermaLink="false">http://www.studiochroma.net/art_supplies/?p=44</guid>
		<description><![CDATA[




Eco-House 952 Damar Varnish
Damar Varnish can be used as a final picture varnish over well-dried oil paintings, after 6-12 months, or as an ingredient to your own medium formula. It makes a semi-gloss protective coat.











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<p><b><font size="4">Eco-House 952 Damar Varnish</font></b></p>
<p><font size="2">Damar Varnish can be used as a final picture varnish over well-dried oil paintings, after 6-12 months, or as an ingredient to your own medium formula. It makes a semi-gloss protective coat.</font></p>
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		<item>
		<title>Sinopia 15 Color Dry Pigment Set</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/sinopia-15-color-dry-pigment-set/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/sinopia-15-color-dry-pigment-set/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:22:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Dry Pigments]]></category>
		<category><![CDATA[dry pigment set]]></category>

		<guid isPermaLink="false">http://www.studiochroma.net/art_supplies/?p=42</guid>
		<description><![CDATA[




Complete Set of 15 Colors
Includes Brilliant Yellow (Hansa Yellow), Golden Yellow Ochre (Brilliant Clear), Yellow Ochre Mexico (Brownish Cool), Raw Sienna (Deep Orange Shade), Napthol Red (Brilliant Primary Red), English Red (Extra Deep), Burnt Sienna (Warm Shade Light), Turkish Red (Mars Extra Deep), Roman Brown (Enhanced Earth), Burnt Umber (Brownish Warm), Raw Umber (Greenish Dark), [...]]]></description>
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<p><b><font size="4">Complete Set of 15 Colors</font></b></p>
<p><font size="2">Includes Brilliant Yellow (Hansa Yellow), Golden Yellow Ochre (Brilliant Clear), Yellow Ochre Mexico (Brownish Cool), Raw Sienna (Deep Orange Shade), Napthol Red (Brilliant Primary Red), English Red (Extra Deep), Burnt Sienna (Warm Shade Light), Turkish Red (Mars Extra Deep), Roman Brown (Enhanced Earth), Burnt Umber (Brownish Warm), Raw Umber (Greenish Dark), Chrome Oxide Green, Phthalo Blue (Primary Blue), Ivory Black, and Titanium White.</font></p>
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		<item>
		<title>Silver Brush &#8211; Brush Set</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/silver-brush-brush-set/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/silver-brush-brush-set/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:16:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Brushes]]></category>
		<category><![CDATA[acrylic paint brushes]]></category>
		<category><![CDATA[brush set]]></category>
		<category><![CDATA[hog bristle brushes]]></category>
		<category><![CDATA[Oil paint brushes]]></category>

		<guid isPermaLink="false">http://www.studiochroma.net/art_supplies/?p=40</guid>
		<description><![CDATA[




Grand Prix Set of 8 Brushes
Ideal for use with oils and acrylics, this set is housed in a deluxe, lightweight Tuscany fabric case. It includes: Grand Prix Round, sizes 6, 8, and 10 Grand Prix Bright, sizes 4 and 6 Grand Prix Extra Long Filbert, sizes 2, 4, and 6











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<p><b><font size="4">Grand Prix Set of 8 Brushes</font></b></p>
<p><font size="2">Ideal for use with oils and acrylics, this set is housed in a deluxe, lightweight Tuscany fabric case. It includes: Grand Prix Round, sizes 6, 8, and 10 Grand Prix Bright, sizes 4 and 6 Grand Prix Extra Long Filbert, sizes 2, 4, and 6</font></p>
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		<title>Williamsburg Native Italian Earths Set</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/williamsburg-native-italian-earths-set/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/williamsburg-native-italian-earths-set/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 02:05:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Oil paints]]></category>
		<category><![CDATA[native earth colors]]></category>
		<category><![CDATA[oil paint set]]></category>
		<category><![CDATA[williamsburg oil paints]]></category>

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		<description><![CDATA[




Native Italian Earths Set
Clean, vibrant and more translucent than other earths, these rare Italian colors are prized among painters as among the finest available in the world. Primarily used in restoration, they are the very same colors made by Italian Renaissance and used by conservators. Set of 10 colors in 40 ml tubes includes Terra [...]]]></description>
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<p><b><font size="4">Native Italian Earths Set</font></b></p>
<p><font size="2">Clean, vibrant and more translucent than other earths, these rare Italian colors are prized among painters as among the finest available in the world. Primarily used in restoration, they are the very same colors made by Italian Renaissance and used by conservators. Set of 10 colors in 40 ml tubes includes Terra Verte, Italian Yellow Ochre, Lemon Ochre, Orange Ochre, Green Ochre, Pompeii Red, Rosso Veneto, Terra Rosa, Pozzuoli Earth, and Roman Earth.</font></p>
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		<title>Gamblin Traditional Gesso</title>
		<link>http://www.studiochroma.net/art_supplies/2009/08/gamblin-traditional-gesso/</link>
		<comments>http://www.studiochroma.net/art_supplies/2009/08/gamblin-traditional-gesso/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 01:57:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Supplies]]></category>
		<category><![CDATA[Oil paints]]></category>

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		<description><![CDATA[




Gamblin Traditional Gesso
Traditionally, gesso (Italian for &#34;gypsum&#34;) was applied only to panels. Gamblin&#8217;s Traditional Gesso is a classic absorbent ground for oil panels which, when mixed with water and rabbit skin glue, forms a luminous painting surface.











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<p><b><font size="4">Gamblin Traditional Gesso</font></b></p>
<p><font size="2">Traditionally, gesso (Italian for &quot;gypsum&quot;) was applied only to panels. Gamblin&#8217;s Traditional Gesso is a classic absorbent ground for oil panels which, when mixed with water and rabbit skin glue, forms a luminous painting surface.</font></p>
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